Pseudacusis, by Anthony Pateras

Pseudacusis

by Anthony Pateras

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	1.	I 07:51
	2.	II 04:58
	3.	III 10:09
	4.	IV 03:20
	5.	V 07:34
	6.	VI 03:51
	7.	VII 11:32

about

Music composed, recorded, assembled and mixed by Anthony Pateras at Gold Tony Love’s Audio Hell, Castlemaine, Australia.

Performance recorded by Tomasz Kubiak live on 27th September 2019 at the 17th Sacrum Profanum Festival in Małopolska Garden of Arts, Kraków, Poland.

Festival curated by Krzysztof Pietraszewski.

Pseudacusis was commissioned by the Musica Sanae project by In Situ Foundation (Sanatorium of Sound Festival in Sokołowsko) in collaboration with Michał Libera, Phonurgia (La Digestion Festival in Naples) and N.K. Projekt (Berlin).

Album produced by In Situ Foundation, Sacrum Profanum and Bocian Records.

Special thanks to Tiziana Bertoncini (violin) + Gerard Lebik (saxophone) + Chiara Mallozzi (cello) who were all essential in the development of this piece in its inital performances, but could not appear at the Krakow concert.

Pseudacusis supported through the Victorian Government through the Creative Victoria Creator’s Fund.

credits

released February 5, 2021

Live Septet:

Lucio Capece: bass clarinet / soprano saxophone
Krzysztof Guńka: saxophones
Riccardo La Foresta: percussion
Mike Majkowski: double bass
Anthony Pateras: piano
Deborah Walker: cello
Lizzy Welsh: violin

Tape Septet:

Aviva Endean: clarinets
Judith Hamann: cello
Jonathan Heilbron: double bass
Scott McConnachie: saxophones
Maria Moles: percussion
Anthony Pateras: electronics
Erkki Veltheim: violin

Mastered by Joe Talia at Good Mixture, Tokyo, Japan.
Perfromance recorded by Tomasz Kubiak live at Sacrum Profanum Festival, Kraków, Poland.
Artwork and design by Joanna John, Tromsø, Norway.

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about

Anthony Pateras Castlemaine, Australia

Composer, pianist & electroacoustic musician, active since the late 90s.

anthonypateras.com

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