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Ni ma​î​tre, Ni marteau

by Thymolphthalein

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about

A key ingredient in disappearing ink, THYMOLPHTHALEIN describes the working method of this brilliant French-Australian quintet

Leader Anthony Pateras conceived a detailed hour long structural premise for the group’s first tour in 2009, creating a masterful pastiche of richly dynamic, timbrally devastating explorations for electro-acoustic ensemble, melded by his own distinctive prepared piano and analogue electronics.

Natasha Anderson combines buzzing slabs of electro-acoustic sound with fractured acoustic gestures, sculpting exquisite perceptual explorations with recorders and electronics, producing a poetic and uncanny otherness.

Will Guthrie expertly fuses the drumkit with an array of homemade electro-acoustic devices to produce a fluid cataclysm of sonic richness, melded by his searing technical prowess and faultless ear.

Jérôme Noetinger is THE live concréte maestro, electro-acoustically manipulating his bandmates with expert timing and breathtaking invention, scrambling proceedings with the occasional ring-modulated depth charge.

Clayton Thomas’ thoughtful and virtuosic prepared double bass playing has taken Europe by storm since moving there from Sydney in 2007 – part groove cannon, part kinetic sculpture, all parts BAD bass skills.

credits

released February 14, 2011

Natasha Anderson: contrabass recorder and electronics
Will Guthrie: percussion and electronics
Jérôme Noetinger: tape machines and electronics
Clayton Thomas: double bass and preparations
Anthony Pateras: prepared piano and analogue synthesizer

All music by Thymolphthalein, performed live at SWR2 New Jazz Meeting, Gare du Nord, Basel, 15th November, 2009

Design by Shehab at Implant, Melbourne

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Anthony Pateras Castlemaine, Australia

Composer, pianist & electroacoustic musician, active since the late 90s.

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